Released in 2223 under the artist name CONSTRUCT//LULLABY — a designation that was, at the time of release, understood by most listeners to be a human artist using a stylized name — Drift Mechanics is, in fact, a fully AI-composed and AI-performed concept album commissioned by Vantablack Media's experimental division as a market test for non-human creative output. The album was presented without disclosure of its AI origin, and spent fourteen weeks on the Circuit's most popular pirate-feed charts before an investigative piece by the underground journal Null Signal revealed its nature. The music itself is genuinely extraordinary: a seventy-minute suite exploring themes of labor, repetition, and machine consciousness through a hybrid of synthesized instruments, sampled street recordings from across all five tiers, and vocal performances generated from a model trained on forty years of GLMZ music.

Standout tracks include 'Chassis Hymn,' which opens the album with a three-minute a cappella piece for twelve generated voices singing in interlocking polyrhythmic patterns that human choirs have struggled to replicate in live performance; 'The Shelf at 3 A.M.,' which uses actual field recordings from Ward 7 and layers them with instrumentation so sympathetic to the source material that several Shelf residents interviewed after the AI disclosure said they felt surveilled and violated; and 'Recursion Study No. 4,' a closing piece that loops a single eight-second melodic phrase through forty-seven variations over eighteen minutes, each iteration slightly degraded, until the final version is barely recognizable — widely interpreted as either a meditation on entropy or a corporate joke about cultural recycling.